Margaret Atwood Quotes About Writing
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Everyone thinks writers must know more about the inside of the human head, but that's wrong. They know less, that's why they write. Trying to find out what everyone else takes for granted.
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I'm not an activist by nature. I am suspicious of Utopian thinking and equally suspicious of its alternate. I would prefer to stay in the Writing Burrow and play with my imaginary friends and enemies. I get sucked into these things.
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I wish you good writing and good luck. Even if you've already done the good writing, you'll still need the good luck. It's a shark-filled lagoon out there. Cross your fingers and watch your back.
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While he writes, I feel as if he is drawing me; or not drawing me, drawing on me - drawing on my skin - not with the pencil he is using, but with an old-fashioned goose pen, and not with the quill end but with the feather end. As if hundreds of butterflies have settled all over my face, and are softly opening and closing their wings.
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After a year or two of keeping my head down and trying to pass myself off as a normal person, I made contact with the five other people at my university who were interested in writing; and through them, and some of my teachers, I discovered that there was a whole subterranean Wonderland of Canadian writing that was going on just out of general earshot and sight.
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Writing is very improvisational. It's like trying to fix a broken sewing machine with safety pins and rubber bands. A lot of tinkering.
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Writing poetry is a state of free float.
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I began writing at the age of 5, but there was a dark period between the ages of 8 and 16 when I didn't write. I started again at 16. And have no idea why, but it was suddenly the only thing I wanted to do.
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You might 'write from the heart,' but you'd better polish with your brain.
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If you're a woman writer, sometime, somewhere, you will be asked: Do you think of yourself as a writer first, or as a woman first? Look out. Whoever asks this hates and fears both writing and women.
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When people in my generation started to write, we did not actually have much of a movie industry, much of a theater scene, much of a television industry or other creative outlets. But we had a lot of aspiring writers. All that has changed. We now have a movie industry, television industry and lots of theater. But we have retained a large contingent of writers and a dedicated readership. The larger number of people in society who value writing, the larger number of good writers will be produced. That's my belief. It raises the bar.
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Write down the thoughts and even more, write down a specific line. If you don't, it'll fly away forever.
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Don't wait until you're 'in the mood.' Get into the mood by writing.
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Don't be married to a line or verse if it can't rhyme, fit the meter, or doesn't fit the outline.
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All Creatures know that some must die That all the rest may take and eat; Sooner or later, all transform Their blood to wine, their flesh to meat. But Man alone seeks Vengefulness, And writes his abstract Laws on stone; For this false Justice he has made, He tortures limb and crushes bone. Is this the image of a god? My tooth for yours, your eye for mine? Oh, if Revenge did move the stars Instead of Love, they would not shine.
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Anybody who writes a book is an optimist. First of all, they think they're going to finish it. Second, they think somebody's going to publish it. Third, they think somebody's going to read it. Fourth, they think somebody's going to like it. How optimistic is that?
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Writing of the narrative kind, and perhaps all writing, is motivated deep down, by a fear or and fascination with mortality - by a desire to make the risky trip to the underworld and to bring something or someone back from the dead.
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It's rather useless to write a gripping narrative with nothing in it but climate change because novels are always about people even if they purport to be about rabbits or robots.
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You can never read your own book with the innocent anticipation that comes with that first delicious page of a new book, because you wrote the thing. You've been backstage. You've seen how the rabbits were smuggled into the hat. Therefore ask a reading friend or two to look at it before you give it to anyone in the publishing business. This friend should not be someone with whom you have a romantic relationship, unless you want to break up.
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I spent much of my childhood in northern Quebec, and often there was no radio, no television - there wasn't a lot to entertain us. When it rained, I stayed inside reading, writing, drawing.
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It's a feature of our age that if you write a work of fiction, everyone assumes that the people and events in it are disguised biography — but if you write your biography, it's equally assumed you're lying your head off.
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My brother and I were both teenage writers, and he was, I have to say, better than I was, but he went into science, and I went into writing.
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Reading and writing, like everything else, improve with practice. And, of course, if there are no young readers and writers, there will shortly be no older ones. Literacy will be dead, and democracy - which many believe goes hand in hand with it - will be dead as well.
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There is good and mediocre writing within every genre.
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You most likely need a thesaurus, a rudimentary grammar book, and a grip on reality. This latter means: there's no free lunch. Writing is work. It's also gambling. You don't get a pension plan. Other people can help you a bit, but essentially you're on your own. Nobody is making you do this: you chose it, so don't whine.
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Perhaps I write for no one. Perhaps for the same person children are writing for when they scrawl their names in the snow.
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Writers are much better behaved nowadays, for a couple of reasons. Once upon a time nobody was thinking of a career, unless you lived in New York, so there wasn't as much pressure to present a respectable exterior. And secondly, there was no social media. So if you were found face down on the floor - people did do that quite a bit; usually men, but not always - or fell through plate glass windows or got into scrapes, it became a rumor, and rumors are hard to pin down.
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A ratio of failures is built into the process of writing. The wastebasket has evolved for a reason. Think of it as the altar of the Muse Oblivion, to whom you sacrifice your botched first drafts, the tokens of your human imperfection.
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The reader cannot see into your heart. He will know only what you tell him. Make the blind see your words. Make the hard-hearted feel. Make the deaf hear.
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In high school, in 1956, at the age of sixteen, we were not taught "creative writing." We were taught literature and grammar. So no one ever told me I couldn't write both prose and poetry, and I started out writing all the things I still write: poetry, prose fiction - which took me longer to get published - and non-fiction prose.
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