Margaret Atwood Quotes About Film

We have collected for you the TOP of Margaret Atwood's best quotes about Film! Here are collected all the quotes about Film starting from the birthday of the Poet – November 18, 1939! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 5 sayings of Margaret Atwood about Film. We will be happy if you share our collection of quotes with your friends on social networks!
  • The film [Payback: Debt and the Shadow Side of Wealth] opens with an Albanian blood feud and goes on to delve into, for instance, prison systems, underpaid tomato pickers, the gulf oil spill. It's all woven together in a sensuous, oblique way that's not the same as the single-message kind of documentary we're used to, with an "answer" at the end. It's more like an exploration. Sort of like what you do with Birth of a Nation.

  • I saw all of the films [based on The Tempest] available, including the one with Helen Mirren in which Prospero is Prospera - you wonder, "Would it work?" But it does, because anything she does works.

  • Walking along past the store windows, into which she peers with her usual eagerness, her usual sense that maybe, today, she will discover behind them something that will truly be worth seeing, she feels as if her feet are not on cement at all but on ice. The blade of the skate floats, she knows, on a thin film of water, which it melts by pressure and which freezes behind it. This is the freedom of the present tense, this sliding edge.

    Margaret Atwood (2012). “Bluebeard's Egg”, p.257, Houghton Mifflin Harcourt
  • I was delighted with the film [Payback: Debt and the Shadow Side of Wealth]; it almost made me want to be a film-maker!

  • It was exciting to work with director Jennifer Baichwal, who made Manufactured Landscapes and others, on the film of Payback: Debt and the Shadow Side of Wealth. It's called, simply, PAYBACK. Jennifer didn't want to do a transliteration of the book, a kind of illustrated version, but to go into the core of the book: owing and being owed, paying and paying back, on all sorts of levels. So she found real-life, visceral stories that embodied the themes of the book.

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