Kazuo Ishiguro Quotes

On this page you can find the TOP of Kazuo Ishiguro's best quotes! We hope you will find some sayings from Novelist Kazuo Ishiguro's in our collection, which will inspire you to new achievements! There are currently 4 quotes on this page collected since November 8, 1954! Share our collection of quotes with your friends on social media so that they can find something to inspire them!
  • Your life must now run the course that's been set for it.

    Kazuo Ishiguro (2009). “Never Let Me Go”, p.243, Faber & Faber
  • It is one of the enjoyments of retirement that you are able to drift through the day at your own pace, easy in the knowledge that you have put hard work and achievement behind you.

    Kazuo Ishiguro (2012). “An Artist of the Floating World”, p.40, Vintage
  • It is all very well, in these changing times, to adapt one's work to take in duties not traditionally within one's realm; but bantering is of another dimension altogether. For one thing, how would one know for sure that at any given moment a response of the bantering sort is truly what is expected? One need hardly dwell on the catastrophic possibility of uttering a bantering remark only to discover it wholly inappropriate.

    Kazuo Ishiguro (2010). “The Remains of the Day”, p.16, Vintage
  • And I'm a Hailsham student - which is enough by itself sometimes to get people's backs up.

    Kazuo Ishiguro (2009). “Never Let Me Go”, p.3, Faber & Faber
  • Now naturally, like many of us, I have a reluctance to change too much of the old ways.

    Kazuo Ishiguro (2010). “The Remains of the Day”, p.7, Vintage
  • I do not think I responded immediately, for it took me a moment or two to fully digest these words of Miss Kenton. Moreover, as you might appreciate, their implications were such as to provoke a certain degree of sorrow within me. Indeed- why should I not admit it? - at that moment, my heart was breaking.

    Kazuo Ishiguro (2009). “The Remains of the Day”, p.176, Faber & Faber
  • Throughout my career I've struggled to encourage people to read my books on a more metaphorical level. I'm less attached to my settings than, for example, Saul Bellow. The setting of a novel for me is just a part of the technique. I choose it at the end.

    "I Remain Fascinated by Memory". Interview with Michael Scott Moore and Michael Sontheimer, www.spiegel.de. October 5, 2005.
  • I took one glance at her in that hospital bed under the dull light and recognised the look on her face, which I'd seen on donors often enough before. It was like she was willing her eyes to see right inside herself, so she could patrol and marshal all the better the separate areas of pain in her body.

  • People aren't quite sure what it means when a book is a Booker Prize winner. They're not quite sure what is being recommended, what literary values it stands for, because every year it stands for something different.

  • I spent ages figuring out things like viewpoint, how you tell the story, and so on.

  • I half closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field and gradually get larger until I'd see it was Tommy, and he'd wave, and maybe even call.

    Kazuo Ishiguro (2009). “Never Let Me Go”, p.263, Faber & Faber
  • I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it's just too much. The current's too strong. They've got to let go, drift apart. That's how it is with us. It's a shame, Kath, because we've loved each other all our lives. But in the end, we can't stay together forever.

    FaceBook post by Kazuo Ishiguro from Jul 22, 2012
  • I'm interested in memory because it's a filter through which we see our lives, and because it's foggy and obscure, the opportunities for self-deception are there. In the end, as a writer, I'm more interested in what people tell themselves happened rather than what actually happened.

    "In the Land of Memory" by Adam Dunn, edition.cnn.com. October 27, 2000.
  • I try to always go for something... very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.

  • I can see,’ Miss Emily said, ‘that it might look as though you were simply pawns in a game. It can certainly be looked at like that. But think of it. You were lucky pawns. There was a certain climate and now it’s gone. You have to accept that sometimes that’s how things happen in the world. People’s opinions, their feelings, they go one way, then the other. It just so happens you grew up at a certain point in this process.’ ‘It might be just some trend that came and went,’ I said. ‘But for us, it’s our life.

    Kazuo Ishiguro (2009). “Never Let Me Go”, p.243, Faber & Faber
  • Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.

    "Living memories". Interview with Nicholas Wroe, www.theguardian.com. February 18, 2005.
  • I like novelists who can create other interesting worlds.

    "'For me, England is a mythical place'". Interview with Tim Adams, www.theguardian.com. February 19, 2005.
  • It didn't hurt, did it? When I hit you?" "Sure. Fractured skull. Concussion, the lot..." "But seriously, Kath. No hard feelings, right? I'm awfully sorry. I honestly am.

    Kazuo Ishiguro (2009). “Never Let Me Go”, p.13, Faber & Faber
  • You have to accept that sometimes that's how things happen in this world. People's opinions, their feelings, they go one way, then the other. It just so happens you grew up at a certain point in this process.

    Kazuo Ishiguro (2009). “Never Let Me Go”, p.243, Faber & Faber
  • She might be a great person, but life's so much bigger than just loving someone.

    Kazuo Ishiguro (2009). “Nocturnes: Five Stories of Music and Nightfall”, p.182, Faber & Faber
  • I started as a songwriter and wanted to be like Leonard Cohen. I've always seen my stories as enlarged songs.

    "This much I know: Kazuo Ishiguro". Interview with Chris Sullivan, www.theguardian.com. February 5, 2011.
  • All I know is that I've wasted all these years looking for something, a sort of trophy I'd get only if I really, really did enough to deserve it. But I don't want it anymore, I want something else now, something warm and sheltering, something I can turn to, regardless of what I do, regardless of who I become. Something that will just be there, always, like tomorrow's sky. That's what I want now, and I think it's what you should want too. But it will be too late soon. We'll become too set to change. If we don't take our chance now, another may never come for either of us.

  • I don't think it's any fun, even if you are one of the most respected authors in the world like Margaret Atwood, to keep being nominated and not win.

    "Kazuo Ishiguro remembers when" By Adam Dunn, www.cnn.com.
  • I grew up in Britain before it became a multicultural place, so in many ways I have a nostalgia for an England that's vanished - the England of my childhood has actually disappeared.

    "I Remain Fascinated by Memory". Interview with Michael Scott Moore and Michael Sontheimer, www.spiegel.de. October 5, 2005.
  • If you go to Tokyo, I think it becomes very obvious that there's this almost seamless mixture of popular culture and Japanese traditional culture.

    "I Remain Fascinated by Memory". Interview with Michael Scott Moore and Michael Sontheimer, www.spiegel.de. October 5, 2005.
  • One need hardly dwell on the catastrophic possibility of uttering a bantering remark only to discover it wholly inappropriate

    Kazuo Ishiguro (2010). “The Remains of the Day”, p.16, Vintage
  • I think I had actually served my apprenticeship as a writer of fiction by writing all those songs. I had already been through phases of autobiographical or experimental stuff.

    FaceBook post by Kazuo Ishiguro from Sep 05, 2011
  • I loved cowboy films and TV series, and I learned bits of English from them. My favorite was 'Laramie', with Robert Fuller and John Smith. I used to watch 'The Lone Ranger', which had been famous in Japan as well. I idolized these cowboys.

  • And what made these heart-to-hearts possible--you might even say what made the whole friendship possible during that time--was this understanding we had that anything we told each other during these moments would be treated with careful respect: that we'd honor confidences, and that no matter how much we rowed, we wouldn't use against each other anything we'd talked about during those sessions.

    Kazuo Ishiguro (2009). “Never Let Me Go”, p.115, Faber & Faber
  • I want my words to survive translation.

    "For me, England is a mythical place". Interview with Tim Adams, www.theguardian.com. February 19, 2005.
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We hope you have found the saying you were looking for in our collection! At the moment, we have collected 4 quotes from the Novelist Kazuo Ishiguro, starting from November 8, 1954! We periodically replenish our collection so that visitors of our website can always find inspirational quotes by authors from all over the world! Come back to us again!