Narrative Quotes
The best sayings about Narrative that you can share on Instagram, Pinterest, Facebook and other social networks!
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Objects let you tell a narrative that encompasses everybody. Texts don't.
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Christian nation mythologists pump themselves up with narratives of American exceptionalism and Christian domination. But sooner or later even their most devoted followers should begin to see that also depicting it as vulnerable to non-existent threats undermines the myth itself.
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Setting aside the issue of gender while highlighting the symmetry of bodies seemed indispensable in order to focus on the narrative of human beings in the making.
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We've had fiction from the time of cave drawings. I think fiction, storytelling, and narrative in general will always exist in some form.
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If one loves stories, then one would naturally love the story of the story. Or the story behind the story, pick your preposition. It does seem to me to be a kind of animal impulse almost, a mammalian curiosity. For a reader to wonder about the autobiography in a fiction may be completely unavoidable and in fact may speak to the success of a particular narrative, though it may also speak to its failure.
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If you have distance from the events, then your story can work as an analogy or parable, rather than its literal narrative.
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Whole swaths of the book [Lincoln in the Bardo] are made up of verbatim quotes from various historical sources, which I cut up and rearranged to form part of the narrative.
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If prose can cast a spell, we will listen to it no matter what it's saying. If a narrative uses language in a magical and enlivening way, we will listen to the story. But if the language doesn't cast a spell, we will listen to it only if it is telling us something that actually happened.
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I've been told by people I respect that flashbacks only work if they have their own narrative, but they can't be part of the present narrative.
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I'm not denying Christ by not being Christian. I'm a theist, which involves expanding on the Christ narrative.
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Art in the United States is a kind of visual entertainment focusing on expected narratives.
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I don't think the relationship between novels and realities are one to one. Of course novels play different roles. It's essentially just a long narrative form. What you use that long narrative form for can be very different.
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It's actually pretty complex, because there's two levels of reality in the narrative. One is what really took place, and the other is Spider's poisoned version of what took place.
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There is no longer any such thing as fiction or nonfiction; there's only narrative.
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I've never been very interested in literary narrative in movies, it always seems an obligatory trait and the least interesting of all the things film can do. It forces us to look through the thing instead of at it, it teaches us to ignore our senses and look for meaning outside the immediate world of our experience.
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We should not be post-racial: seeking to get beyond the uplifting meanings and edifying registers of blackness. Rather, we should be post-racist: moving beyond cultural fascism and vicious narratives of racial privilege and superiority that tear at the fabric of "e pluribus unum.
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Some people's lives seem to flow in a narrative; mine had many stops and starts. That's what trauma does. It interrupts the plot. You can't process it because it doesn't fit with what came before or what comes afterward. A friend of mine, a soldier, put it this way. In most of our lives, most of the time, you have a sense of what is to come. There is a steady narrative, a feeling of "lights, camera, action" when big events are imminent. But trauma isn't like that. It just happens, and then life goes on. No one prepares you for it.
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I think that if you have a strong narrative, if the idea of the song can be boiled down to the basics, it won't change that much.
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I had never thought that I would be involved in narrative structures. As a young guy, I was more interested in abstract modeling. But as I got older, I began to see that there was no reason to limit myself to any intellectual or conceptual postulate, when in fact I'm a professional student of music.
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As a mode of public pedagogy, a state of permanent war needs willing subjects to abide by its values, ideology, and narratives of fear and violence. Such legitimation is largely provided through a market-driven culture addicted to the production of consumerism, militarism and organized violence, largely circulated through various registers of popular culture that extend from high fashion and Hollywood movies to the creation of violent video games and music concerts sponsored by the Pentagon.
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Prose, narratives, etcetera, can carry healing. Poetry does it more intensely.
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Many Christians understand the Bible to be a collection of stories without an overarching narrative.
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So, in "Melting Pot" the children (about a third of whom were kids of color) sang the line, "America was the new world and Europe was the old," in one stroke eradicating the narratives of indigenous persons for whom America was hardly new, and any nonwhite kids whose old worlds had been in Africa or Asia, not Europe.
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For it is humanly certain that most of us remember very little of what we have read. To open almost any book a second time is to be reminded that we had forgotten well-nigh everything that the writer told us. Parting from the narrator and his narrative, we retain only a fading impression; and he, as it were, takes the book away from us and tucks it under his arm.
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Sometimes, a novel is like a train: the first chapter is a comfortable seat in an attractive carriage, and the narrative speeds up. But there are other sorts of trains, and other sorts of novels. They rush by in the dark; passengers framed in the lighted windows are smiling and enjoying themselves.
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The history of Science is not a mere record of isolated discoveries; it is a narrative of the conflict of two contending powers, the expansive force of the human intellect on one side, and the compression arising from traditionary faith and human interests on the other.
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You are your own stories and therefore free to imagine and experience what it means to be human... And although you don't have complete control over the narrative - no author does, I can tell you - you could nevertheless create it.
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What, after all, is the narrative of the American Dream? It was a discourse formulated between the 1880s and the 1920s in the United States during the great waves of migration and expansion and reforms of the Progressive Era.
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The best films of any kind, narrative or documentary, provoke questions.
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Baseball, boxing, handball - sooner or later every game gets compared to narrative, but only in football are the plays perfectly linear, drawn up with letters, and only in football is the field itself lined like a sheet of notebook paper.
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