Improvisation Quotes
The best sayings about Improvisation that you can share on Instagram, Pinterest, Facebook and other social networks!
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Most of the musicians that I'm playing with now have jazz backgrounds, so they're comfortable with improvisation. And they all know to make eye contact with me, and I'll give them some kind of sign when I think that the song's ending. Or maybe I don't even have to, because they all sort of feel it at the same time.
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Most of my show is just improvisation. It goes with the energy of the crowd.
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I always hankered to be a composer - I was mad about music, though I never studied seriously, and can't read a note. But I learned to play the piano and became pretty skillful at improvisation, especially after a drop or two.
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Civilization has gotten further and further from the so-called 'natural' man, who uses all his faculties: perception, invention, improvisation.
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John [Cassavetes] loved actors. He gave them a lot of freedom. So if something came up that a certain actor just felt at the moment and said - that kind of improvisation he would accept. He gave very little direction.
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Much of what happens in Love Always is really from overheard conversations in the Russian Tea Room. It's an improvisation of the way certain Hollywood agents think and talk to each other.
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When I think back now to the recording sessions, there is more improvisation than one hears. It's an ideal combination of arrangements and improvisation. Only a few people are able to listen and say what is composed and what is improvised. It's a unit.
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For me, improvisation is about working with a partner. That is much easier to do in the interview, because you have a sounding board.
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I allow a lot of room for improvisation and funny stuff. I always feel planned.
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Actor training should be broadly humanistic, involving the study not just of dramatic literature and theatre history, but of languages, literature, and history generally, and should be centered on acting in plays rather than just exercises, improvisations, monologues, or even scenes.
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My paintings and comedy have a lot in common. They are both improvisations based on observation.
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Successful improvisation is mostly a matter of taking your thoughts out of the equation, because thinking can keep the magic from happening. You have to be open enough to let the magic happen, instead of trying to make it happen because magic is never made.
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I continued studying by myself in the field of jazz with my own technique of improvisation, walking bass lines, rhythms, all kinds of stuff, which I created for myself.
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I think that music, or at least the kind of music that I make, benefits greatly from improvisation.
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Improvisation is too good to leave to chance.
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There is indeed a level of improvisation where we can distort and shuffle the music patterns, samples, and loops in each phase of the show within fixed cue points, but at the same time there is a constant result that we are trying to achieve each night while performing and operating our system - quite similar in spirit to a broadway show for example: If you go see a musical two nights in a row, the performances are different yet similar.
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I may be prejudiced, but I believe that jazz music has the strongest healing potential, and it's not just because I play it and love it so much. I feel that it's the improvisation in jazz that makes it so strong as a healing tool, what each individual gives to a tune from their heart and their soul when they take a solo. It's all spontaneous, and it's all love, and from the heart.
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Peace demands more, not less, from a people. Peace lacks the clarity of purpose and the cadence of war. War is scripted: peace is improvisation.
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I'm no longer beholden to the sacredness of the recorded song as some kind of ultimate standard by which every performance of the song is measured. I like to diversify, that there are multiple versions of every song. And the songs incorporate a lot of improvisation, and an element of chance, and I think that's exciting. There's no one true formulation of a song, they have various manifestations depending on the space we're in. I like that.
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I believe that improvisation is really just a directorial tool. It's a writing tool. It's not so much that the actors get to say whatever they want, whatever pops into their head. It's an opportunity to write the last draft of the screenplay as you're working on it.
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There's nothing that makes you so aware of the improvisation of human existence as a song unfinished. Or an old address book.
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But one of the things I learned from improvising is that all of life is an improvisation, whether you like it or not. Some of the greatest scientific discoveries of the 20th century came out of people dropping things.
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Improvisation is the art of becoming sound. It is the only art in which a human being can and must become the music he or she is making. Improvisation is the only musical art which predicated entirely on human trust and love.
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Jazz Improvisation means that practice is not as straightforward as it would be when you simply have a score to play.
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Thorny compositions that sound as if female teen punkers the Shaggs received doctorates in the music of 12-tone composer Alban Berg, and then rewrote their Philosophy of the World.... Carefully notated structures and interplay morph effortlessly into free improvisation that is intelligent and expressive, but never self-indulgent. Also featuring intense lyrics sung with their clear and melodic voices, the two women make transcendent chamber music outside of any genre.
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Improvisation is intuition in action, a way to discover the muse and learn to respond to her call.
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Improvisation is a compositional method.
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There's always some room for improvisation.
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I look for something universal in songs rather than something personal. I look for something that will give us a platform for live improvisation.
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The most unendurable thing, to be sure, the really terrible thing, would be a life without habits, a life which continually required improvisation.
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