William Gibson Quotes

On this page you can find the TOP of William Gibson's best quotes! We hope you will find some sayings from Novelist William Gibson's in our collection, which will inspire you to new achievements! There are currently 231 quotes on this page collected since March 17, 1948! Share our collection of quotes with your friends on social media so that they can find something to inspire them!
  • I'm quite proud of what I anticipated about reality television from my books in the early '90s, which I based on the early seasons of 'Cops' and on the amazing stuff I had read about happening on Japanese shows and the British 'Big Brother'.

  • I knew where the magnets were, behind the gyprock, and the magnets were very powerful. I think they had to be powerful for me, otherwise the reader wouldn't have a reciprocal experience. But I was very careful to bury them deeply, deeply in the plaster and paint over them. I didn't want anybody to directly access them, and that's gradually changed for me.

    Source: craphound.com
  • He took a duck in the face at 250 knots.

  • To the extent that I can still believe in Bohemia, which I think is very important to me in some way that I don't yet really understand, to the extent that I still believe in that, I have to believe that there are viable degrees of freedom inherent if not realized in interstitial areas.

    Source: craphound.com
  • The past is past, the future unformed. There is only the moment, and that is where he prefers to be.

    William Gibson (2000). “All Tomorrow's Parties”, Ace Trade
  • I've gone to big stadium rock concerts at some artist's invitation, and there's this invariable, fascinating and rather sad situation of concentric circles of availability. There are Green Rooms within Green Rooms literally within Green Rooms. There are seven or eight degrees of exclusivity, and within each circle of exclusivity, everyone is so happy to be there, and they don't know that the next level exists.

    Source: craphound.com
  • I don't think of myself as being particulary a subversive writer, but I like to think that my work could afford someone else, the extra degree of freedom that I found when I first found science fiction.

    Interview with Eric Holstein and Raoul Abdaloff, www.actusf.com. March 2008.
  • I've always assumed from the beginning that I had relatively few contemporaries among my readership. Not that I was consciously writing for a younger audience but that what I was doing interested a younger audience, or at least threatened them less.

    Source: craphound.com
  • I guess Twitter is the first thing that has been attractive to me as social media. I never felt the least draw to Facebook or MySpace. I've been involved anonymously in some tiny listservs, mainly in my ceaseless quest for random novelty, and sometimes while doing something that more closely resembles research.

    "William Gibson Talks Zero History, Paranoia and the Awesome Power of Twitter". Interview with Scott Thill, www.wired.com. September 7, 2010.
  • A nation,” he heard himself say, “consists of its laws. A nation does not consist of its situation at a given time. If an individual’s morals are situational, that individual is without morals. If a nation’s laws are situational, that nation has no laws, and soon isn’t a nation.

    William Gibson (2007). “Spook Country”, p.166, Penguin
  • Generation X is dead. It has come to mean anyone aged 13 to 55 years old.

  • We see in order to move; we move in order to see.

  • I was travelling with Bruce Sterling on our mutual Difference Engine tour and he became aware from the experience of travelling with me that I would distinguish among the shoes in a perfectly normal fashion, but form him it was a revelation. There's a very lyrical passage in Holy Fire about old wealthy European men and their shoes, and how beautiful their shoes are, and how there have never been shoes as beautiful. I think that that was probably as close as Bruce will ever get to homage in my direction. I made him aware of footwear fashion.

    Source: craphound.com
  • Dreaming in public is an important part of our job description.

  • His teeth sang in their individual sockets like tuning forks, each one pitch-perfect and clear as ethanol.

    William Gibson (2000). “Neuromancer”, p.131, Penguin
  • [The currency of being celebrity] used to be only the elect had any manna in the information society and everyone else was a consumer.

    Source: craphound.com
  • Our hardware is likely to turn into something like us a lot faster than we are likely to turn into something like our hardware...I very much doubt that our grandchildren will understand the distinction between that which is a computer and that which isn't.

  • I have this prejudice that trilogies are long, three-volume novels.

    Interview with Zack Handlen, www.avclub.com. September 7, 2010.
  • I find it interesting to see people - mostly people who are younger than I am - going to considerable trouble to try to reproduce things from an era that was far more physical, from a less virtual day.

    Interview with Zack Handlen, www.avclub.com. September 7, 2010.
  • He'd been numb a long time, years. All his nights down Ninsei, his nights with Linda, numb in bed and numb at the cold sweating center of every drug deal. But now he'd found this warm thing, this chip of murder. Meat, some part of him said. It's the meat talking, ignore it.

    William Gibson (2000). “Neuromancer”, p.130, Penguin
  • I don't always like writing, but I very much like having written.

  • Dreaming in public is an important part of our job description, as science writers, but there are bad dreams as well as good dreams. We're dreamers, you see, but we're also realists, of a sort.

  • Cyberspace is colonising what we used to think of as the real world. I think that our grandchildren will probably regard the distinction we make between what we call the real world and what they think of as simply the world as the quaintest and most incomprehensible thing about us.

  • If you make something, it's an artifact. It's something that somebody or some corporate entity has caused to come into being. A great many human beings have thought about each of the artifacts that surround us. Different degrees of intelligence and attention have been brought to bear on anything.

  • A snappy label and a manifesto would have been two of the very last things on my own career want list. That label enabled mainstream science fiction to safely assimilate our dissident influence, such as it was. Cyberpunk could then be embraced and given prizes and patted on the head, and genre science fiction could continue unchanged.

  • I look at [Toronto] and think well, perhaps my grandchildren will someday look at this stuff with the sort of appreciation I once held for Art Deco. Although I've come to find Art Deco quite creepy too.

    Source: craphound.com
  • Tim Powers is a brilliant writer.

  • I can't imagine writing a book without some strong female characters, unless that was a demand of the setting.

    Interview with Zack Handlen, www.avclub.com. September 7, 2010.
  • I've never actually been a collector. I like the learning-curve, but I buy things, sell them to finance other things.

    Source: www.heddels.com
  • Addictions [...] started out like magical pets, pocket monsters. They did extraordinary tricks, showed you things you hadn't seen, were fun. But came, through some gradual dire alchemy, to make decisions for you. Eventually, they were making your most crucial life-decisions. And they were [...] less intelligent than goldfish.

    William Gibson (2010). “Zero History”, p.71, Penguin UK
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  • We hope you have found the saying you were looking for in our collection! At the moment, we have collected 231 quotes from the Novelist William Gibson, starting from March 17, 1948! We periodically replenish our collection so that visitors of our website can always find inspirational quotes by authors from all over the world! Come back to us again!