Helen Oyeyemi Quotes
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Because he says he can't stand you and you act like you can't stand him, and whenever a man and a woman behave like that toward each other, it usually means something's going on.
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I feel like an old lady; my hero is Miss Marple.
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The language of [Catholic] mysticism - its repeated attempts to lay consciousness itself bare and speak all the intensely opposing yet interconnected parts of it that cannot be spoken.
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Solitary people, these book lovers. I think it's swell that there are people you don't have to worry about when you don't see them for a long time, you don't have to wonder what they do, how they're getting along with themselves. You just know that they're all right, and probably doing something they like.
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It occurred to me that I was unhappy. And it didn’t feel so very terrible. No urgency, nothing. I could slip out of my life on a slow wave like this—it didn’t matter. I don’t have to be happy. All I have to do is hold on to something and wait.
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Magic is an exercise of a pattern of thought (sometimes represented by a gesture, ritual, or the calling of a true name) that results in manifestation/s. But these patterns of thought can have so much to do with whimsy that magic often is jokes.
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Like every girl, I only need to look up and a little to the right of me to see the hysteria that belongs to me, the one that hangs om a hook like an empty jacket and flutters with disappointment that I cannot wear her all the time. I call her my hysteric, and this personal hysteric of mine is designer made (though I'm not sure who made her), flattering and comfortable, attractive even, if you're around people who like that sort of thing. She is not anyone, my hysteric; she is blank, electricity dancing around a filament, singing to kill.
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In Narnia a girl might ring a bell in a deserted temple and feel the chime in her eyes, pure as the freeze that forces tears. Then when the sound dies out, the White Witch wakes. It was like, I want to touch you, and I can touch you, now what next, a dagger?
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Her heart was heavy because it was open, and so things filled it, and so things rushed out of it, but still the heart kept beating, tough and frighteningly powerful and meaning to shrug off the rest of her and continue on its own.
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So many times I've encountered people who are just kind of like, 'Yeah, Nigeria,' and, you know, thump their chest and seem very sure of, like, being Nigerian. And I'm just kind of, like, I wish I could be that sure.
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And she walked away, and she walked away, and that was that, and that was that.
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I dont have a style. I just try to write what the story demands.
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I collected pictures and I drew pictures and I looked at the pictures by myself. And because no one else ever saw them, the pictures were perfect and true. They were alive.
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I love taking things out of context and playing with them and chopping up rules.
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This was a little house, with a ceiling that kept getting higher and higher, a hot place with no windows. This was anger.
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You don’t return people’s smiles—it’s perfectly clear to you that people can smile and smile and still be villains.
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Please tell me a story about a girl who gets away." I would, even if I had to adapt one, even if I had to make one up just for her. "Gets away from what, though?" "From her fairy godmother. From the happy ending that isn't really happy at all. Please have her get out and run off of the page altogether, to somewhere secret where words like 'happy' and 'good' will never find her." "You don't want her to be happy and good?" "I'm not sure what's really meant by happy and good. I would like her to be free. Now. Please begin.
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Wanderer, there is no road, the road is made by walking. The poem tells me it’s no big deal that I’m not like Snow. I can be another thing; I’m meant to be another thing.
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However awful the storm of my disappointment, it's a response that belongs to me. It's my heart, after all. My territory, my kingdom. And since I'm the only one with the authority to surrender it, I can also take it back.
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If you should find yourself in a place that is indifferent to you and there is someone there that your spirit stretches to, then that person is kin.
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It's true that writing can give new forms to concepts that existed previously with far less clarity, but in terms of the other half of a story's story - the way a story is received and interpreted and used - the audience plays a part in that too.
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Sometimes I feel weird about time. Sometimes I feel that it doesnt go in the order we perceive it. There are... repetitions that maybe we decide not to notice because it is simpler. I like to pick up on those moments.
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I see all mythology as one tradition, a way of disseminating knowledge that must come to us in code so that we can live sanely with it, since some forms of knowledge are too dark, or too complex, to be plainly spoken. And so we have these weird (and also sometimes entertaining and surprising and heartening) tales that belong to all of us.
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And without further argument he unsheathed the sword and cleaved Miss Foxe's head from her neck. He knew what was supposed to happen. He knew that this awkward, whispering creature before him should now transform into a princess - dazzlingly beautiful, free, and made wise by her hardship. That is not what happened.
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I wish there was someone I could have written to after that, someone I could have written to explain how awful it was to have someone touch you, then look at you properly and change his mind.
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Fairy tales, because they have a very clear structure, are easier to interfere with. Also they have this really weird logic: the kind of logic that you only really experience when youre not feeling very well, or as a child.
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There were days when he touched the tip of her nose and it was enough, a miracle of plenty.
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Would that be dangerous, to not look while being looked at?
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The first coffee of the morning is never, ever, ready quickly enough. You die before it’s ready and then your ghost pours the resurrection potion out of the moka pot.
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Nobody ever warned me about mirrors, so for many years I was fond of them, and believed them to be trustworthy. . .
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