Contemporary Art Quotes
The best sayings about Contemporary Art that you can share on Instagram, Pinterest, Facebook and other social networks!
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Contemporary art photography, or, more specifically, what I would term mainstream art photography, represents for the most part the mining of an exhausted lode.
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My influences were from Europe from between 1900 and 1945. My favorite artists were Egon Schiele or Edvard Munch. I wasn't interested in contemporary art at all.
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A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.
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I didn't even realize that people bought contemporary art . . . that people actually paid for it.
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Imagination without skill gives us contemporary art.
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In China, we don't have any contemporary art museums. Until a few years ago, we didn't even have a gallery.
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Art is about asking questions and engaging a dialog. By challenging or investigating conventions contemporary art helps promote an on-going sense of discovery, contemplation, and understanding. I think these are all important things.
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"Contemporary art" for me is a kind of historical term that describes the 40 years between the Berlin Wall going up and then coming down. I'm not sure who will come up with a better term to describe art, but I think contemporary art is actually done for.
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The boundaries between contemporary art and cinema are so rigid. It's unbelievable. The film critics don't know my artwork and the art world doesn't know my films.
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We are not disillusioned because we have no illusions... What we have and what is our strength, is our joy in life... in all its amoral aspects. That is also the basis of our contemporary art.
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You might argue that the history of contemporary art is a series of avant-garde movements, each new wave outraging the last.
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Contemporary art and manga - what is the same about them? Nothing, right? The manga industry has a lot of talented people, but contemporary art works on more of a solitary model. No one embarks on collaboration in contemporary art in order to make money. But in the manga world, everyone is invested in collaboration. The most important point is that the manga industry constantly encourages new creations and creators.
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The problem with contemporary art is that no one bothers to do the research necessary to give people what they want.
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In 1967 there was no place for photography in a contemporary art gallery. It was almost impossible to get an art dealer to look at, let alone exhibit, anything photographic.
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Contemporary art will help me to modernise our society.
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The conceptual and politically-driven art so popular and considered to be the forefront of contemporary art today is limited by its topicality and will lose its 'punch' when topical concerns move on to other interests.
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Beyond a narrow, elite audience, there is a pervasive sense from the side of the public that much contemporary art fails to connect - a failure not evident throughout centuries of earlier art.
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The Metropolitan Museum of Art some time ago held a display of contemporary art at which $52,000 was awarded to American sculptors, painters, and artists in allied fields. The award for the best painting went to the canvas of an Illinois artist. It was described as "a macabre, detailed work showing a closed door bearing a funeral wreath." Equally striking was the work's title: "That which I should have done, I did not do."
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I have no doubt about a photographer in particular and a digital artist in general having become contemporary icons.
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I don't decide where I live. My wife decides. She's a curator of contemporary art, and she works at an art museum, so we go wherever she has a job. All basements look the same, so I can write from whatever basement I happen to be living in.
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I do not like to be a prophet. I like better to paint than to predict what the next painters will do. Though I have a feeling that consideration of order is very much in the air.
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When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
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I have always been very much involved in the pseudo biological cycle of production, consumption and destruction. And for a long time, I have been anguished by the fact that one of its most conspicuous material results is the flooding of our world with junk and rejected odd objects.
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There are no categories in contemporary art. There are no rules. Artists are given the freedom to make and create whatever they please and call it whatever they please. I identify with that system, or lack of system, much more than I do the landscape of contemporary publishing.
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A wall is a very big weapon. It's one of the nastiest things you can hit someone with.
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New materials are one of the great afflictions of contemporary art. Some artists confuse new materials with new ideas.
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Few people in contemporary art demonstrate much curiosity. The majority spend their days blathering on, rather than trying to work out why one artist is more interesting than another, or why one picture works and another doesn't.
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Populism in contemporary art can become a dirty word. There is this notion that to not be understood is a reflection of depth. I'm sure this is true in some cases, but on the whole I can't accept this as a vision of art. There's something so cynical about assuming your audience is unintelligent or that artists shouldn't care about their viewers.
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The museum in D.C. is really a narrative museum - the nature of a people and how you represent that story. Whereas the Studio Museum is really a contemporary art museum that happens to be about the diaspora and a particular body of contemporary artists ignored by the mainstream. The Studio Museum has championed that and brought into the mainstream. So the museums are like brothers, but different.
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Contemporary art challenges us.. it broadens our horizons. It asks us to think beyond the limits of conventional wisdom.
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Top Authors
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Franz Cumont Archaeologist -
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Fred Bear Bow manufacturer -
Francis Maude British Politician -
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Frida Giannini Designer -
Franco Zeffirelli Director -
Frank Frankfort Moore Dramatist
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Franz Josef Radermacher Economist -
Francesca Marciano Film actress -
Frank Beddor Film producer -
Fritz Sauckel German Politician -
Frederick Greenwood Journalist
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Gabrielle Roth Musician -
Gabriel Biel Philosopher -
Fred Alan Wolf Physicist -
Frederick Seitz Physicist -
Frederick Knott Playwright -
Gabrielle Williams Politician -
Frank Howard Clark Screenwriter
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Francoise Hardy Singer -
Francine Mathews Writer -
Frank R. Stockton Writer
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